New York: Perhaps the biggest challenge in staging William Shakespeare`s `The Winter`s Tale` simply is making it coherent.
Veering wildly from dark psychological drama to raucous comedy and culminating in an ending that contains possibly magical elements -- scholars still are debating -- this late "problem play" has defied the best efforts of many a talented director.
Michael Grief, who has dealt with some pretty difficult contemporary material during recent years -- "Next to Normal," "Grey Gardens" -- rises to the task fairly well in this Central Park mounting. Although it lacks the revelatory aspects of "The Merchant of Venice," starring Al Pacino, with which it is running in repertory, this is a generally satisfying rendition that benefits immeasurably from the idyllic outdoor atmosphere of its presentation.
The complicated plot is set in motion by King Leontes (Ruben Santiago-Hudson) suspecting his wife, Hermione (Linda Emond), of having an affair with the visiting King Polixenes (Jesse L. Martin). Despite the desperate pleas of her friend Paulina (Marianne Jean-Baptiste), Leontes` paranoia results in the apparent death of his wife and the banishment of his infant daughter.
The play`s second half takes place years later in Bohemia, where the now-grown daughter, Perdita (Heather Lind), having been raised by an old shepherd (Max Wright), falls in love with Polixenes` son, Florizel (Francois Battiste).
The tone shifts wildly between the play`s two parts, with much of Act 2 dominated by the comic shenanigans of a thievish rogue (Hamish Linklater) and the shepherd`s hapless son (Jesse Tyler Ferguson).
The production touches all of the bases dutifully. The somber atmosphere of Act 1 is enhanced by Mark Wendland`s stark set design dominated by small funereal pyres and by the haunting music by Tom Kitt ("Next to Normal") played by an onstage ensemble. The raucously vulgar humor of Act 2 benefits from the comic talents of Linklater and Ferguson, who clearly are having a fine time. (Lest you think that the Shakespeare Festival is pandering with its employment of these stars of the sitcoms "The New Adventures of Old Christine" and "Modern Family," be advised that both are longtime New York theater veterans).
Still, there`s nothing particularly distinctive about the production, from its staging of the immortal stage direction, "Exit, pursued by a bear" -- conveyed via shadow puppetry and ominous sound effects -- to its handling of the climactic scene in which a statue of Hermione miraculously comes to life. The performances, including Santiago-Hudson`s beautifully spoken Leontes, Emond`s elegant and dignified Hermione and particularly Jean-Baptiste`s deeply moving Paulina, are all fine, and the design elements are impeccable.
This is merely a good, not great, "Winter`s Tale," and it particularly suffers by comparison to the terrific Bridge Project production directed by Sam Mendes that was seen not too long ago at the Brooklyn Academy of Music.
Bureau Report
By clicking “Accept All Cookies”, you agree to the storing of cookies on your device to enhance site navigation, analyze site usage, and assist in our marketing efforts.
Cookies Setting
By clicking “Accept All Cookies”, you agree to the storing of cookies on your device and the processing of information obtained via those cookies (including about your preferences, device and online activity) by us and our commercial partners to enhance site navigation, personalise ads, analyze site usage, and assist in our marketing efforts. More information can be found in our Cookies and Privacy Policy. You can amend your cookie settings to reject non-essential cookies by clicking Cookie Settings below.
Manage Consent Preferences
Strictly Necessary Cookies
These cookies are necessary for the website to function and cannot be switched off in our systems. They are usually only set in response to actions made by you which amount to a request for services, such as setting your privacy preferences, logging in or filling in forms. You can set your browser to block or alert you about these cookies, but some parts of the site will not then work or you may not be able to login.
Functional Cookies
These cookies enable the website to provide enhanced functionality and personalisation. They may be set by us or by third party providers whose services we have added to our pages. If you do not allow these cookies then some or all of these services may not function properly.
Targeting Cookies
These cookies may be set through our site by our advertising partners. They may be used by those companies to build a profile of your interests and show you relevant adverts on other sites. They are also used to limit the number of times you see an advert as well as help measure the effectiveness of an advertising campaign. They do not store directly personal information, but are based on uniquely identifying your browser and internet device. If you do not allow these cookies, you will experience less targeted advertising.
Performance Cookies
These cookies allow us to count visits and traffic sources so we can measure and improve the performance of our site. They help us to know which pages are the most and least popular and see how visitors move around the site. All information these cookies collect is aggregated and therefore anonymous. If you do not allow these cookies we may not know when you have visited our site, and may not be able to monitor its performance.