Review: Aamir’s ‘Peepli Live’ is an excellent satire on rural India
Aamir Khan sure seems to have the Midas touch, for whatever the actor associates with, turns into gold. And his latest production venture ‘Peepli Live’ is no exception as the film has made an instant connection with the audience and is already touted as a must watch.
Based on the grave issue of farmer suicide, the film is a satire on how politicians and media use rural problems for their own motives and purposes. Directed and written by Anusha Rizvi, ‘Peepli Live’ shows as to how tragedies are used in our country for TRPs and votebanks.
As for the credit goes, it’s a clear winner for journalist-turned-director Anusha Rizvi, who penned down a story that focusses on rural India at a time when most filmmakers are busy with mindlesss comedies and designer dramas.
Set in a small village, the film follows the plight of a farmer's family. Natha (Omkar Das) and Budhiya (Raghuvir Yadav) are brothers who had taken a loan against their land. Their only source of livelihood is put under the hammer when they fail to repay the money.
They try to seek the help of a local politician, whose job is to serve the people. But he shoos them away saying the government gives compensation to the families of those farmers who commit suicide. Initially, the brothers ignore the suggestion, but Budiya convinces Natha to sacrifice his life for the sake of the family.
It's election time in the region and a local newspaper owner sends his reporter Rakesh (Nawazuddin Siddiqui) - who otherwise doesn't want to budge from his comfort zone in search of stories - to the village. Rakesh comes to know of Natha's decision to end his life and reports it.
The news creates a sensation in the political arena and before it can be brushed under the carpet, somebody gives the lead of the Natha story to Nandita Malik (Malaika Shenoy), an elite English channel journalist. She grabs the opportunity and dashes off to Peepli as the news promises good TRPs.
As soon as her report is flashed comes an avalanche of reporters to the village and there begins a media circus as every journalist vies to sensationalise the issue.
Rakesh, who actually filed the story, becomes a mere puppet in the hands of Nandita and when he tries to tell her about another farmer's death, she refuses to report it as she doesn't see it as a TRP booster for her channel.
The irony is that nobody - be it reporters or politicians - tries to know why Natha decides to take his life. In fact, no one is interested in solving his problem as they have their own agendas.
"Peepli Live" is a satire that shows the reality behind media houses, politicians, bureaucrats and their apathetic approach towards problems. But the script is written in a such a manner that it makes the audience laugh.
India promotes itself as one of the fastest growing economies in the world, but the film shows the miserable condition of farmers who continue to end their lives after living in extreme poverty. A report says the highest level of farmer suicides has been reported in Vidarbha, Maharashtra - reportedly 4,000 farmer suicides per year. In recent times, farmer suicides in Chhattisgarh have been hogging the limelight as well as in Punjab.
First time director Anusha has not only written a taut script but also executed the story effectively. It seems the film is her attempt to enlighten viewers about the social dilemma that our country is facing and her experience as a journalist is quite visible in her storytelling.
The actors -- from Omkar Das, Raghuvir and Shalini Vatsa as Natha's short tempered wife Dhania to Malaika Shenoy and Vishal Sharma -- are brilliant too.
If Omkar and Raghuvir bring forth the sufferings of farmers, Shalini, an M. Phil from Jawaharlal Nehru University, should be applauded for playing the role with such ease and perfection. Malaika and Vishal fit the bill of English and Hindi channel reporters respectively.
Anusha blends the miseries of farmers and subsequent political and media reactions seamlessly in "Peepli Live" and that makes it a must watch.
Rating: 4 cheers for this one!