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‘The Attacks of 26/11’ review: A moving sketch of ghastly terror attacks

Last Updated: Thursday, March 07, 2013, 15:54
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‘The Attacks of 26/11’ review: A moving sketch of ghastly terror attacks Resham Sengar

The dreadful terror attacks on November 26, 2008 that rocked not just the city of Mumbai but also the entire nation, have indeed left an indelible scar on each and every one of us. The ghastly episode shook one and all leaving us emotionally drained. ‘The Attacks of 26/11’, a film by Ram Gopal Varma, recreates the terrifying events on celluloid. The filmmaker has categorically said that the film is a tribute to the incident and rightly so, for he has been able to sensibly weave sentiments attached to the event.

Nana Patekar has essayed the role of the then Joint Commissioner of Mumbai Police, Rakesh Maria, to unfold the events that had occurred on that ill-fated night.

A pensive Nana as Rakesh Maria initiates investigations by connecting the chain of events to unravel - how the attackers stepped onto the shores of Mumbai, the strategy they employed to execute their plan of killing as many people as possible, how the Mumbai police force and the government dealt with the terrorists – in a very crisp yet in-depth manner. The focus keeps shifting back and forth from Rakesh Maria to the actual events with the former reflecting deeply and presenting his insights over the happenings.

He briefs the viewers about what is going to unfold, ponders on the details of the dreadful event, and comes up with valid reasons to support his actions. In its running time, the makers have focused on covering the entire episode of the Mumbai attacks till the death of Ajmal Kasab in 2012.

The movie superbly throws light on the many aspects of terrorism in a mature and moving way. The film highlights how the ulterior motive of the terrorists is self-centred, their philosophy is hypocritical and how no one can escape the deadly paws of terrorism. For example, there is a sequence showing the attackers incessantly shooting the innocent crowd at the Chhatrapati Shivaji Terminus and how they spared none - be the burqa-clad Muslim women, the Hindu priest, the rich and the poor, the foreign nationals, children and even animals.

It is a film that is completely performance driven. I would like to throw a word of praise for the casting director here. Debutante Sanjeev Jaiswal, as one of the two key members of the cast, has worked extremely well to portray Ajmal Kasab`s character onscreen. For Nana, this film substantiates the fact that he can pull off thoughtful, powerful and serious roles like a pro.

After a string of flops, for RGV (who had earlier delivered successful films like ‘Satya’, ‘Company’) this is a comeback of sorts. `The Attacks of 26/11` will help the filmmaker redeem the ‘brilliant director’ tag. Now I know why he said that this film has been his most challenging project till date. Because recreating terror and its aftermath on celluloid is no mean feat!

Rating: 


First Published: Thursday, February 28, 2013, 12:34
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   Good movie,but v never forgot 26.11........... - anil - surat
   Write up is very exciting I will have to go for this movie ---Sure ---All the best wishes from me - Ravail Sharma - New Delhi
   I have read number of reviews of this movie and am pained to see that most movie reviewers are just too insensitive about the subject and bent upon beating RGV based on preconceived notions built with some of his recent releases. This subject was chilling and a RGV has done a portrayal that is commendable. Off-course this is not a feel good movie, as the subject is not intended to be. The camera works, cinematography, background score and direction is fantastic. Every Indian should watch this movie, even if it causes some discomfort of seeing the gory reality that unfolded on 26/11. - Alok - Mumbai
   Hoping to see the movie today. Glad to hear technical director is back with bang - Tns - Delhi
   I am pleased to see overwhelming reviews for RGV's "Attacks of 26/11". It’s payback time for RGV fans like me. We believed in Ramu when he messed up Sholey in "RGV ki Aaag", Out of our sheer affection towards him we endured boredom of watching Antara Mali-Nisha Kothari (& their gyrating moves) repetitively, We stood by him when he did "Agyaat" fiasco in Shri Lankan jungles, We held our patience when his obsessively perplexing camera (Cannon EOS 5D) angles in “Department” caused enough headache to ask for brufen in Cinema Hall, When K-JO fans declared end of Ram Gopal Verma we argued & waited for resurgence of our Maestro. & here it is. He is back with a bang. He is making his comeback in a style, he is best known for. When Ramu made Shiva & then Satya, he taught Bollywood how to shoot violence. Here he does it again. Making audiences relive the violence of 26/11. - Bhushan - Pune
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