Record award-winning feat by Bangladeshi film
Debutant Bangladeshi film director Gazi Rakayet is an engineer by training but he is fascinated not by engineering hardware but by the earth, it's smell and anything else connected with earth.
New Delhi: Debutant Bangladeshi film director Gazi Rakayet is an engineer by training but he is fascinated not by engineering hardware but by the earth, it's smell and anything else connected with earth.
It is this fascination and the conviction that human beings, trees and animals are all made of a part of earth that made Rakayet nurture for 10 years a dream to make a film on the subject. Funds are not easy to come for making art movies in Bangladesh but Rakayet did not give up.
So, the director told PTI, that he sold his village properties to supplement Bangladesh government's grant-in-aid and funds from noted producer Faridur Reza Sagar's Impress Telefilm to come up with his debut film "Mrittika Maaya" (Earthen Love), which recently swept 17 national awards, including those of best direction and best film, in Bangladesh, breaking the previous record of 13 set nine years ago.
The achievement is remarkable for Rakayet who has no formal training in filmmaking and has spent a major part of his 27-year life as an artist on the stage and tele-plays as an actor and a director.
"Mrittika Maya" tells the story of the life of an old Hindu potter Khirmohon who owns his own pottery house and a banyan tree. His two sons Satyen and Nikhil stay in the city and prefer urban life and have little interest in their father's business. However, Khirmohon's granddaughter Padma, a rustic dusky beauty, and Boishakh, who was adopted by Khirmohon as a child, like to stay in the pottery house and try to keep up the pottery business. There are silent feelings between Padma and Boishakh but it is not expressed.
That "Mrittika Maya", starring some of the best actors and actresses in Bangladesh film and television industry like Raisul Islam Assad, Mamunur Rashid, Shormi Mala and Titas Zia, is yet to be commercially released across Bangladesh tells its own story of how meaningful cinema struggles in a country whose commercial film space is dominated by Bollywood-inspired melodrama and histrionics.