Art masterpieces helping map pollution levels in Earth`s past atmosphere
Researchers have shown the colours of sunsets painted by famous artists can be used to estimate pollution levels in the Earth `s past atmosphere.
Washington: Researchers have shown the colours of sunsets painted by famous artists can be used to estimate pollution levels in the Earth `s past atmosphere.
In particular, the paintings reveal that ash and gas released during major volcanic eruptions scatter the different colours of sunlight, making sunsets appear more red.
When the Tambora volcano in Indonesia erupted in 1815, painters in Europe could see the colours of the sky changing. The volcanic ash and gas spewed into the atmosphere travelled the world and, as these aerosol particles scattered sunlight, they produced bright red and orange sunsets in Europe for up to three years after the eruption. JMW Turner was one of the artists who painted the stunning sunsets during that time. Now, scientists are using his, and other great masters`, paintings to retrieve information on the composition of the past atmosphere.
Lead-author Christos Zerefos, a professor of atmospheric physics at the Academy of Athens in Greece and his team analysed hundreds of high-quality digital photographs of sunset paintings done between 1500 and 2000, a period including over 50 large volcanic eruptions around the globe.
They were looking to find out whether the relative amounts of red and green along the horizon of each painting could provide information on the amount of aerosols in the atmosphere.
"We found that red-to-green ratios measured in the sunsets of paintings by great masters correlate well with the amount of volcanic aerosols in the atmosphere, regardless of the painters and of the school of painting," says Zerefos.
To further support their model, the researchers asked a famous colourist to paint sunsets during and after the passage of a Saharan dust cloud over the island of Hydra in June 2010. The painter was not aware of the dust event. The scientists then compared measurements of the aerosol optical depth made by modern instruments with those estimated from the red-to-green ratios of the paintings and of digital photographs, and found that they all matched well.
The results have been published in Atmospheric Chemistry and Physics.